【作者简介】 阿兰•雅尼克（Allan Janik，1941— ）生于美国马萨诸塞州奇科皮，先后毕业于圣安塞姆学院、维拉诺瓦大学和布兰迪斯大学。他曾在喇沙书院和韦尔斯利学院教授哲学和思想史，现为奥地利因斯布鲁克大学布伦纳档案研究委员会的一员。另著有《提示汇编：对维特根斯坦哲学概念起源的研究》（Assembling Reminders: Studies in the Genesis of Wittgenstein's Concept of Philosophy）、《隐喻的运用和滥用》（The Use and Abuse of Metaphor）、《哲学的风格、政治和未来》（Style, Politics and the Future of Philosophy）等。 ··· 斯蒂芬•图尔敏（Stephen Toulmin，1922—2009）英国哲学家...(展开全部)

Fin de siecle Vienna was once memorably described by Karl Kraus as a "proving ground for the destruction of the world". In the decades leading to the World War that brought down the Austro-Hungarian empire, the city was at once an operetta dream world masking social and political problems and tension, as well as a center for the far-reaching explorations and innovations in musi...(展开全部)

This collection contains hitherto unknown letters exchanged between Wittgenstein and the most important of his Cambridge friends and includes editorial notes based on archival material not previously explored. Incorporates many previously undiscovered unique and significant letters. A powerful record and intimate insight into Wittgenstein's life and thought. Extensive ed...(展开全部)

A landmark book from one of the truly original scholars of our time: a magnificent revelation of turn-of-the-century Vienna where out of a crisis of political and social disintegration so much of modern art and thought was born. "Not only is it a splendid exploration of several aspects of early modernism in their political context; it is an indicator of how the discipline of in...(展开全部)

维也纳美术史学派是西方美术史学史上最重要的学派，影响极其深远。贡布里希也曾称自己是这个学派的一员，而第一个记述它的历史、为它正式命名的则是贡氏所敬重的老师施洛塞尔。施洛塞尔（Julius von Schlosser，1866－1938）于1922年开始执掌维也纳大学美术史教席，十多年后写下了这篇《维也纳美术史学派》长文。在文中他追溯学派起源，梳理师承脉络，整理学术传统，为后来众多的研究奠定了基础。施洛塞尔学识渊博、胸襟博大、文笔优雅隽永，字里行间流露出作为老学派最后一位掌门人对”我们学派“的真挚深沉的感情。时隔八十年后，我们将这篇名文的首个中译本刊行于世，以向这位伟大学者致以崇高的敬意。 就此机会，本书还特地选编了一批涉及维也纳学派的名篇，凡十二篇，分为三组。这些文章从不同的侧面反映了西方学界对老学派理论遗产的利用、评价与反思。最后一组文章涉及”新维...(展开全部)

From Publishers Weekly: Olsen's thesis is that these three European capitals were each deliberately conceived as a unified work of art to reinforce the values of the dominant class and to serve their leisure pursuits. This is "a delightful and gripping, richly illustrated social history," noted PW. From Library Journal: A sweeping comparative analysis of three great European me...(展开全部)

-作者简介- 斯科特·斯佩克特，密歇根大学历史系教授，主要研究课题为现代中欧史、观念史与文化史、德国-犹太问题、性与性别史。主要著作有《没有犹太人的现代主义？德裔犹太主体及其历史》（Modernism without Jews? German-Jewish Subjects and Histories）、《布拉格领地：卡夫卡笔下的世纪末时期的国族冲突与文化革新》（Prague Territories: National Conflict and Cultural Innovation in Franz Kafka’s Fin de Siècle）。 -译者简介- 沈辰成，东方出版中心编辑，德国奥格斯堡大学历史学系博士生，华东师范大学历史学系硕士，研究方向是历史教育和公众史学，长期从事世界史科普作品的写作和外国历史著作的翻译。

This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pacht (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois Riegl (1858-1905). Sedlmayr and Pacht began with an aestheticist conception of the autonomy and irreducibility of t...(展开全部)